SÉAMUS CREAGH
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Seamus Creagh was born into a farming
family in Killucan, County Westmeath, in 1946. He grew up in an
environment that was, at best, indifferent to traditional music.
Showbands ruled the musical landscape, and traditional music was seen as
the remnant of an impoverished past. Seamus recalls hearing that a
granduncle, whom he never met, had once played the fiddle.
Two neighbours were to play a part in his musical development. The
first, Larry Ward, was a fiddle player, although his repertoire was not
traditional and consisted almost exclusively of waltzes, quicksteps and
fox-trots. The other was Nicholas Moore, who left a tin whistle behind
in the Creagh household. Seamus came across it, and started picking out
tunes.
He studied violin in Mullingar for six months or so but " that didn't
suit at all, it was way to rigid ".
He learned the pieces by heart, and inserted parts of his own making,
hardly a recipe for success in the world of classical violin. His
greatest outside influence in those pre-television, pre-cassette days
was the radio. However he paid regular visits to Larry Ward, whose
teaching methods were informal, and who used a similar tablature method
to that of the Sliabh Luachra fiddle master, Pádraig O'Keefe.
In his late teens , Seamus discovered O'Donoghue's Pub in Dublin, which
was a regular haunt for traditional musicians such as John Kelly, Joe
Ryan, Ted Furey and Seamus Ennis, and thus began a weekly pilgrimage. He
had put his fiddle to one side at the time and was more interested in
football, hurling and shooting. His only musical involvement lay in
playing electric guitar with a local showband. The O'Donoghue's session
drew him in the direction of traditional music. " I started listening,
picking up bits and pieces, nearly unconsciously. Ted Furey gave me a
lot of tips ".
Although he lived in London ( where he combined working in the
construction trade with a bit of busking ) at a time when the Beatles
and Rolling Stones were at the peak of their popularity, the Swinging
Sixties passed Seamus by. Nevertheless, music was becoming a central
part of his life. On his return to Dublin, he joined a ballad group
called the Dragons where , on his own admission, he " battered a guitar
for two years ".On the demise of the group in 1967, he went to Baltimore
in West Cork for what was intended to be a weekend break. It was to
change his life.
© 2008-2010 Michael Dwyer Festival Committee